Can music spark off memories other than our own? That’s what I think when I listen to Billie Holiday’s beautiful tones, so redolent of melancholy. Because one bar of ‘The Man I Love’ and I’m me and her simultaneously, in the Deep South with the shimmering sun rising outside a smoky club and yet somehow, also at my desk in cool, crisp Wicklow.
The music lays down a hypnotic beat that makes me fall into that other place, like muscle memory helps people play the violin and evolutionary memory helps the finger-sized baby kangaroo instinctively crawl up its mother’s belly to the safety of her pouch. Music crosses all barriers of time and place, cradling us in warmth.
For the last ten years of his life, my father had dementia and the parts of him that were the last to go were his memories of the far past. Yesterday was gone from him but he talked of ‘going home’, when home was a big red-bricked house miles away from our home, the one he’d lived in for thirty years.
He loved music, from the classical tapes he collected the old LPs of jazzman, Bix Beiderbecke. As a family, we feared the words dementia and Alzheimer’s as terrifying bogeymen. It was as if those words themselves had power and, until we got a diagnosis, the words could not be real. But they were.
In those years, we thought the right thing to do was to keep his dementia from him. We were mute when he yelled that all the paintings had been moved, and why were we doing this to him?
Now, I wonder if music could have helped? If listening to the music he loved could really have soothed the savage breast? In a world that must have seemed like a surreal painting, the soft murmuring of jazz or classical music might have brought him quickly to a happier time.
I’d do it differently now. With the benefit of hindsight, I think he should have known the truth. But we were only trying to help, to soothe as best we could.
We never listened to Billie Holiday together. He loved jazz before I did and he liked different sorts. Louis Armstrong’s gravelly ‘Mack The Knife’ was one of the few we both adored.
But when I hear Vivaldi, I can still see the cover of the tape he loved of ‘The Four Seasons’. I can see his desk with all his tapes and papers neatly organised, along with his fountain pens. There might be a bit of paper out, filled with his tiny, obsessively neat handwriting in the dark blue ink he favoured.
‘The Four Seasons’ brings me back. Like magic. But then, music is magic.
They Can’t Take That Away from Me: Musical Memories That Colour Our Lives